Customize Consent Preferences

We use cookies to help you navigate efficiently and perform certain functions. You will find detailed information about all cookies under each consent category below.

The cookies that are categorized as "Necessary" are stored on your browser as they are essential for enabling the basic functionalities of the site. ... 

Always Active

Necessary cookies are required to enable the basic features of this site, such as providing secure log-in or adjusting your consent preferences. These cookies do not store any personally identifiable data.

No cookies to display.

Functional cookies help perform certain functionalities like sharing the content of the website on social media platforms, collecting feedback, and other third-party features.

No cookies to display.

Analytical cookies are used to understand how visitors interact with the website. These cookies help provide information on metrics such as the number of visitors, bounce rate, traffic source, etc.

No cookies to display.

Performance cookies are used to understand and analyze the key performance indexes of the website which helps in delivering a better user experience for the visitors.

No cookies to display.

Advertisement cookies are used to provide visitors with customized advertisements based on the pages you visited previously and to analyze the effectiveness of the ad campaigns.

No cookies to display.

art

SKILLS vs. STYLE

When I interviewed Kelly Anne Powers, host of the Learn To Paint podcast, a few things really inspired me. One of them was her take on the difference between skills and style.

We often as artists struggle with finding an identity, in this case a visual one.

According to Kelly, looking at what you don’t like about your work will help you get better, if you’re doing it through CURIOSITY.  

If something went wrong in your painting and you can get curious about why it went wrong, great, you can learn a lot. If you’re yelling at yourself about the fact that it went wrong, you’re going to learn very little and you might walk away for a week or two.   

Being curious about what is not optimal can help you develop skills.  

Following what you love will enable you to find your style.  

You can hear more about her approach in our interview here  

You can find Kelly’s podcast here

Productivity

The power of ideas’quota

Jeremy Utley is the Director of Executive Education at the d.school, and an Adjunct Professor at Stanford’s School of Engineering, where he has earned multiple “favorite professor” distinctions from graduate programs.  

In one of his interviews Jeremy explains how many ideas can generate a brilliant solution, as opposed to a few.

EXPECTATIONS MATTER

In “The creative cliff illusion” study we can see that for the people who had expectations that they would have good ideas later, their idea were better. For the people who had the expectations that good ideas would come early, all of their ideas were worst. This shows our cognitive bias called einsteining effect: once we identify a solution, we will not only stop searching for it but also we will be incapable of seeing a better one.

 

To overcome this bias take a problem you have been trying to find an answer for, flip your orientation from QUALITY (THE right answer) to QUANTITY (many possible answers).

 

The COST of a bad idea is exceptionally low, but the BENEFIT of allowing the variation you entertain is enormously high.   

Listen to the full interview here:

Personal

Thinking habits can deeply affect our perception of events, distorting them to fit a negative narrative often not based on facts but fear.

 

In his book ‘Learned optimism’ Martin Seligman explains how we can change self-sabotaging cognitive patterns into more constructive ones.  The proposed ‘A-B-C-D’ method (Adversity, Belief, Consequences, Disputation) shows that

reaction makes all the difference. 

 

In Epictetus’ words: “It’s not what happens to us that matters but how we react to it”.

News

On the 12th of August, the Raking Light Gallery in Los Angeles will open the exhibition ‘INFERNO’, displaying the 33 painting that illustrates my new upcoming book by the same title. The presented artworks are based on Dante Alighieri’s Divine Comedy, translating his deep symbolism through the aesthetic canons of American Traditional tattooing.  

I will be there on the 12th, so come say hi! 😊  

Also, I will be booking soon the spots for the new WATERCOLOR PAINTING 2.0 webinar and the Mentorship Program. For the latter, the next available spots are for the course starting in January 2024 (2023 is currently fully booked).  

For more info please head here